Grace Hannah Park navigates the spaces between
type, motion, print, and code to question how medium shapes
message. Her work often begins with noticing how
a moving image can breathe new life into a static poster,
or how certain ideas only make sense once printed,
folded, or bound. Lately, she’s been drawn to the tactile intelligence of street posters—their materiality, their presence—and how these qualities might be translated into digital formats. With a practice grounded in both formal design and experimental tools, she treats graphic design as a
responsive system rather than a fixed outcome.
@www_park_works
hannahpark.work@gmail.com
BRUTALIST PHOTOBOOTH





Pre-thesis project
An anti-polish photobooth that turns behavior into portraiture. Borrowing a “digital brutalist” stance, it withholds user control and renders identity through distortion maps, action-tracing grid marks, and bitmap reduction. The project reframes self-portraiture as mutable, data-driven, and culturally situated rather than fixed likeness, then outputs the results to print and web.

mentored by Invar-Torre Hollaus, Ted Davis, Jiri Oplatek, Bérénice Serra, Michael Renner

Sorry, I'm preparing interactive slides below. Until then, please check still images or this link(https://www.icloud.com/keynote/0c0fnWPuwExVMbouj3GTmTbAg?) ↓
2024
Design Research / P5.js(Creative coding)